Showing posts with label exhibition. Show all posts
Showing posts with label exhibition. Show all posts
Monday, December 9, 2013
An Interview - Artisanal Perfume
During the Summer 2013 FRAGments show the perfume blogger Stevie Wilson went around and interviewed several of the artists exhibiting their scented potions. Since she wasn't able to get around to all the exhibitors she decided to interview many of the others by phone and via e-mail.
Stevie was very gracious in giving me the link to the interview to share with you all.
This interview was posted as part of the collective at the LA-Story.com.
Wednesday, June 26, 2013
A Fragrance Revolution
At 10am on Friday morning I arrived at the "Cabinet of Curiosity" style gallery of Clare Graham to assist with the set up of the FRAGments show the following morning. I was greeted by the smiling, bright eyed face of the artist who let me in through the back alley entrance. The splendor of the space was a bit like walking into an imaginarium, the only thing missing was Dr. Parnassus.
In complete silence and solitude I wondered about the large space in awe, gleefully snapping photos like a bee to a flower. Every nook and cranny had something interesting to gaze upon which usually led one on a new journey of discovery, deeper into the rabbit hole.
Maggie Mahboubian, the curator of the show and nose of Parfums Lalun, constructed wooden units for a uniform display of each participants work. In order to soften my unit a bit and bring it in line with my branding I draped a piece of silk velvet over the top.
The event opened at 11am on Saturday to a nice crowd reminiscent of the SF Artisan Fragrance Salon one year ago. First on the agenda was a moderated discussion with perfumers led by Saskia Wilson-Brown of The Institute of Art and Olfaction. The perfumers in attendance lined up at the front of the space and began fielding questions from Saskia and audience members.
One of the questions was why is the West Coast a mecca for uber-niche perfumery. Several different points of views were shared siting distinguishing characteristic in the way the perfumery business is conducted between the West and East coast due to the proximity to Europe.
Another factor in the West coast equation, which occurred to me after the event, is the vibrant aromatherapy community occurring from Seattle to Los Angeles in the mid nineties. This vibrant group of aromatic pioneers, including John Steele, Jeanne Rose, Kurt Schnaubelt, Victoria Edwards, Michael Scholes and Jade Shutes, laid the fertile fabric of the current natural perfume community. Most important being Jeanne Rose who founded the National Association of Aromatherapy and orchestrated The World of Aromatherapy Conference of 1996. Concurrent with this conference was the release of the book by the same name featuring a wealth of aromatic information including a chapter titled Perfumery with Rare Essences by Christine Malcolm of New Mexico.
The lively moderated discussion ended at noon allowing the sniffing to begin. Aromatic products by sixteen perfumers were present from a diverse palette of materials with the thread of artisanal running through each.
At the show I introduced Figure 1: Noir as an Eau de Parfum (EdP) and the 2012 edition of Blossom. It was my plan to debut more EdP's but some challenges with labels prevented my intention from manifesting. In the end it worked out well since Figure 1: Noir and Blossom are so very different and offered a good contrast to one another.
One of the highlights of these shows is the human interaction with my fans as well as other perfumers. Over the past year, beginning with the SF Artisan Fragrance Salon last July, the bonds made between the perfumers has strengthened and created a rich tapestry of bonds. Although no other event has yet been set, we all look forward to gathering again soon.
On Sunday morning at The Institute of Art and Olfaction the perfumers came together once more for a presentation by John Steele and his aromatic wonders. He began by introducing himself and sitting the stage for the beautiful essences he had brought to share with us. John shared the concept of the Terrior and its relationship to essential oils. Read about the term Terrior here at the journal.
We were all enchanted by the beauty and vitality of the essences that circled the room. My personal favorite was the hydro-distilled Tuberose, which smelled just like a bouquet of fresh Tuberose flowers.
Labels:
Cabinet of Curiosity,
event,
exhibition,
Perfume
Wednesday, May 15, 2013
Show Time!
It feels like its been one show after another lately. First the SF Artisan Salon in March, followed by the one in Seattle in April and now Spectrum Art Live then finishing up with Fragments on the Summer Solstice in LA. Whew!
At the SF Salon I introduced the first of the series of "Figures" which are part of the Cabinet of Curiosities series, Figure 1: Noir being the most odd of all of them. The plan is to have at least one, possibly three more introduced on the Summer Solstice, June 22nd.
In he meantime I continue to promote Figure 1:Noir and experience the wonders of skin chemistry and how this little oddity will dance different jigs on the outer covering of human vertebrates.
This weekend Greg and I will have a booth at Spectrum Fantastic Art Live, a three-day celebration of the art and artists that bring to life the fantastic worlds of our favorite science fiction, fantasy, and horror books, movies, and comics. Last year this event was great fun and usually extremely interesting to witness the favorite fumes of art fans, over perfumista tribes.
If you are coming to the show make sure to stop by our booth in the Grand Ballroom of Bartle Hall. Greg will have a large canvas print of Figure 1: Noir on display along with a brand new image featuring the luminous Jessica Lough as a Siren.
In the meantime I will get the post about the Seattle show together and upload soon. Greetings from the heartland of America to each of you.
Tuesday, March 19, 2013
Full throttle
It is full throttle "get ready for the show" here at in the woodland apothecary. Between creating synergies, decanting and making solid perfume I'm also working out all the final details for the booth.
Helpers have been orchestrated, its mostly down to all the fine tuning of the visual and scented accoutrements. I'm giving a presentation at 11:30am thus there are a few things to take care of on that front as well.
I'd love to hear from you which liquid perfumes to take to the show. I have eight little glass domes, in which three I have chosen for sure are: To Bee GreenWitch and the brand new Figure Noir. For the other five I'm considering: Rosa, Q, Hedera helix, Chiaroscuro and Vespertina. This selection covers the most popular selling fragrances as well as a difference range.
Wednesday, June 30, 2010
Narative Art Exhibition

I am one of the contributing sixty five artists at the Survey Select Narrative Art Exhibition. The event has been organized by art lover/promoter and designer Mark Murphy. Over the years Mark has organized many events with artists including the Heaven and Hell collaborative exhibition, held at the Abbey church in San Diego, (which included 110 paintings, fashion show, belly dancing, burlesque...) The piece I contributed to Heaven and Hell is titled H2 Illuminated.
My training as a conceptual illustrator is evident in how I formulate and conceptualize a natural perfume. Perfume becomes another tool of artistic expression. Creating perfumes with pure plant material brings me closer to the plant world than creating drawings and paintings. Albeit I still love making visual imagery.
Instead of illustrating for magazines, books, etc. now I create narrative perfumes. Olfactory stories, illuminated perfumes, working intimately with prima materia, plant matter. Shortly I will share about my contribution to this project, in the meantime make sure to RSVP to opening on July 15th.

Image by Kevin Paulsen, one of the talented artists participating in the show.
Instead of illustrating for magazines, books, etc. now I create narrative perfumes. Olfactory stories, illuminated perfumes, working intimately with prima materia, plant matter. Shortly I will share about my contribution to this project, in the meantime make sure to RSVP to opening on July 15th.

Image by Kevin Paulsen, one of the talented artists participating in the show.
Wednesday, June 3, 2009
Doors of Perception
Last Saturday was quite a full day with the Museum and Project Peace on Earth Event transpiring back to back. The day began, under a mist of June gloom, at the California Folk Art Museum. The Global Bazaar took place in the outdoor courtyard of the Museum with over fifteen local vendors and artisans offering a wealth of handmade beauty.The bazaar coinsided with LACMA's annual event, LACMA MUSE ART WALK.
Having attended art school at Otis while it was in downtown Los Angeles, this event felt very appropriate for myself as an artist. A variety of beautiful and gifted art spirits were there exhibiting as well as attending.
Greg took this photo of the me at the table just after we had set up. This was early in the day before the attendees had started appearing, I was still quite chilled from the gloom.

The biggest highlight of the day was meeting many of YOU who came and said hello, this was the sunniest part of the day as each of you are so dear and precious. It's difficult to say what the favorite was at this show. Sometimes it is quite evident, yet on Saturday, each scent seems to have equal appreciate. When I'd speak to individuals and ask them what there favorite fragrance family was the most common answer was Citrus. This was the answer I'd most often hear when I did Aromatherapy trade shows back in the nineties. It is fascinating how individual scent is and how varied the responses are. The men were definitely smitten with Chaparral and Q, so keep these two botanical perfumes in mind for Father's Day, they are perfect for Dad.
Although I had visited this museum quite often while attending art school, I was totally unaware of the large space on two floors above. To my delight there were two fantastic exhibits to expand your mind and alter
consciousness. The first was titled Ancient Gods and Modern Politics: Mithila Painting. This show featured intricately drawn and painted imagery from India. These made me want to get my sketchbook and start drawing right then and there! Upstairs, in the larger gallery, was Celestial Ash: Assemblages From Los Angeles which began with an original Joseph Cornell on display. I am a huge fan of Cornell's work, so I was hooked immediately. Artist's displaying their work included Matjames and Gail Greenfield Randall, who for me had the most beautiful and compelling assemblages, besides the small Cornell. This image at left title Castle, by Matjames, was my absolute favorite piece in the show. With doors opening up and revealing yet more doors within doors. I was mesmerized looking at it. CAFAM will be conducting a special Studio Visits with Matjames and Gail Greenfield Randall on Saturday, June 27th. For those who appreciate this art form this will probably be quite an inspiration.We quickly packed up our wears at 6pm when the exhibit ended to make our way to Westwood for the Project Peace on Earth event that was to follow. I'm intending to get some photos to illustrate that journal post for you. Keep your fingers and toes crossed, journal posts are so much more lively with pictures, don't'cha think?
Wednesday, January 7, 2009
Foul & Fragrant

In the autumn of 2004 I attended a series of presentations associated with a show at USC titled The Foul and the Fragrant: Creating Perfume. These notes below are from a presentation toward the end of the exhibit in mid November 2004.
Originally a representative from Santa Maria Novella in Italy
was scheduled for the evenings event, unfortunately they were replaced by Valérie LaJeanne of Grasse, France at the last minute.We were all amazed that a "trained nose" can decipher up to 2000 different aroma compounds, and is able to discern a Bulgarian Rose from a Moroccan Rose. Valérie touched briefly on some history of scent, asked why we wear scent and spoke of the seven perfume categories as classified by the French Society of Perfume. The scent categories were illustrated by using sounds that are associated to each category. She was quite funny and had a very thick French accent.
During her explanation of animalistic base notes she stated, "A great perfume is defined by how long it can remain on the skin." My friend and fellow natural perfumer, Faith, turned to me and asked, "Did she just say that a great perfume is defined by how long it remains on the skin????!!!" I said "Yep." Faith looked at me in horror. I replied, "Why don't you say something?" So, Faith did. Ms. LaJeanne insisted. Thus Faith and I began debating the issue with her. Valérie went on to say, to my and Faiths shock, that "the naturals" can't compete with synthetics and it's better for the planet to use synthetics because or else there would be no flowers left. I commented that it is quite wonderful and sensual to re-apply a natural perfume and not a hindrance to wearing it at all. She again claimed that synthetics are superior. At that point I was ready to wrestle this woman, however, one of the curators stood up. He said that many of us are natural perfumers and have a very different sentiment when it comes to synthetics. Valérie again asserted that synthetics are better.
Whether a natural or synthetic perfume is better is completely a matter of ones personal preference and point of view. Is a great perfume defined by how long it remains on the skin?
Non. That would mean that plain civet applied to the skin is a great perfume. It would meet the criteria of lasting on the skin, but, would fall short on aesthetic beauty and evolution.
"Perception is an act of creation." - Anon
The presentation continued with a workshop where we each created our own synthetic perfume by mixing 3mls of a base note, 3mls of a heart note and 3mls of a top note. The options were:
Base:

Musk
Sandalwood
Moss
Wood
Vanilla
Middle:
Ylang Ylang
Rose
Jasmine
Lily of the Valley
Top:
Grapefruit
Bergamot
Orange
Green Tomato
Roxana Illuminated Perfume™
Visit my perfume shop on Etsy for the largest selection of Illuminated Perfumes: IlluminatedPerfume.etsy.com
Image top: Latest illumination of Vera and an old engraving of a nose and grapefruit on parchment.
Labels:
exhibition,
fragrance families,
olfaction,
Perfume
Wednesday, November 5, 2008
Another Voice

Last night I started jumping up and down, clapping and screaming when I heard Obama won. I rushed into the studio to tell Greg, and then both of us were jumping up and down screaming with glee. My teenage daughter walked in and proclaimed "You guys are spazes!"
"Perception is an act of creation."
After a few minutes our focus shifted to Proposition 8, or Prop Hate as we started calling it. This is the Proposition that wants to ban marriage between gay couples. Remember way back when a black and a white couldn't get married here in America (the land of the free), well, this
is the new version of that. The surreal thing is that it passed, in California of all places. I find this very disturbing, even though we have scored a huge victory with Obama, there is still much work to be done.
During art school days at Otis, one of my buddies introduced me to the magazine The Progressive. I remember looking through the artwork in awe and proclaiming my illustrations would one day be in there. Well, that materialized just after graduating. The art director at the time, Patrick JB Flynn, hired me to create an illustration to go along with an article on Unions. After that illustration I began contributing to The Progressive on a regular basis as well as The NY Times, LA Times, Washington Post and the Boston Globe.
It was an inspiring time to be an artist. Now that the political tides have changed I feel some of that same sense of exhilaration.
There is a show of artwork done for The Progressive while Patrick JB Flynn was art director of the Magazine. There are some good essays and a schedule of where the exhibit is currently on view, here at the website.
Images all ©Roxana Villa
Top: Rainbow Man, personal piece, acrylic veils on board, middle: illustration on Unions for The Progressive and bottom illustration on Racism for The Progressive.
Roxana Illuminated Perfume™
Roxana Villa: Visual Art
is the new version of that. The surreal thing is that it passed, in California of all places. I find this very disturbing, even though we have scored a huge victory with Obama, there is still much work to be done.During art school days at Otis, one of my buddies introduced me to the magazine The Progressive. I remember looking through the artwork in awe and proclaiming my illustrations would one day be in there. Well, that materialized just after graduating. The art director at the time, Patrick JB Flynn, hired me to create an illustration to go along with an article on Unions. After that illustration I began contributing to The Progressive on a regular basis as well as The NY Times, LA Times, Washington Post and the Boston Globe.
It was an inspiring time to be an artist. Now that the political tides have changed I feel some of that same sense of exhilaration.There is a show of artwork done for The Progressive while Patrick JB Flynn was art director of the Magazine. There are some good essays and a schedule of where the exhibit is currently on view, here at the website.
Images all ©Roxana Villa
Top: Rainbow Man, personal piece, acrylic veils on board, middle: illustration on Unions for The Progressive and bottom illustration on Racism for The Progressive.
Roxana Illuminated Perfume™
Roxana Villa: Visual Art
Tuesday, July 15, 2008
Modern Bards
The bards have begun descending in Southern California for the biggest event in popular art culture in America, Comic Con. The excitement is building, I can feel it in my bones. Dave (McKean) contacted Greg to let him know he would be in LA this week for an opening at the The Merry Karnowsky Gallery. The show opens this Saturday evening, July 19th from 8-11pm. An exhibition catalogue will be published along with the show.In my opinion Dave McKean is a master of storytelling, a true visual bard. A bit dark, yes, but definitely a master. I was introduced to his work about nine (?) years ago through Greg. There are influences of both Greg and Matt Mahurin in the work, yet, Dave transcended their styles into his own definitive voice.
Daves artwork has graced the covers of comics, many of the works of another master bard, Neil Gamen, and music albums. Mirror Mask, his first feature film and a collaboration with Neil, was released for worldwide distribution a few years back. It is currently available on DVD.Dave will be at Comic Con this year, you might catch a glimpse of him at the Allen Spiegel Fine Arts booth. Allens booth is located just across from us. Our booth is 4704 in the Illustrator's section near Hall G.
Dave McKean
The Merry Karnowsky Gallery
Comic Con
Images are ©Dave McKean, see more at his website.
Labels:
Aritst,
exhibition,
San Diego Comic Con,
Story
Wednesday, April 23, 2008
Pictures, Perfumes & Acoustics, Oh My!
~ Jim Morrison
Sunday there is an opening for Greg's art works at our local organic cafe. Along with the display of fantastical visions I will be there with botanical perfumes and “The Season of Us” will be adding their melodies to the sensorium. Master Chef Giuseppe will be delighting our taste buds with his organic delectable culinary offerings. The event begins at 2pm, Greg has promised the first ten attendees a free “Musing the Goddess” card set. The creatrix of Heartworks by Lori will also be there showcasing the necklaces and pendants featuring our artwork.
Cafe Carolina is located at 17934 Ventura Boulevard in Encino -- between White Oak and Lindley. For more information click here or call them at 818.881.8600.
Three inspired hours of artistry, friends and merriment. We look forward to seeing you!
Image at top "Bliss" ©Greg Spalenka, one of the many giclee prints at the exhibit.
Labels:
art,
event,
exhibition,
Greg Spalenka,
sensorium
Sunday, November 11, 2007
Art, Artists & Inspiration #1

"To create one's own world in any of the arts takes courage."
~ Georgia O'Keeffe
Having spent a full day at the Frazetta Museum and visiting the property up on Mystic Mountain the following day we drove into New York City. We entered downtown Manhattan via the Holland Tunnel. Immediately I felt the energy of the place and my mind was flooded with memories of living in the metropolis. After parking the car and checking into the hotel we walked over to 6th Street in search of Indian food. Both Greg and I fell into the grove of the city instantly, as if we were wired for the city genetically. Living in NY is a bit like learning to ride a bike. Once you’ve done it, it’s in your blood, the body automatically adapts to the frenetic pace.
On day one, we first visited fellow visionary artist Alex Grey. Alex, like De Es Schwertberger, Robert Venosa and our professor Philip Rubinov Jacobson these are part of the visionary tribe of artists influenced by the fantastical and visionary Ernst Fuchs. Alex has a space in Chelsea on 27th Street which is home to COSM, The Chapel of Sacred Mirrors, as well as his publishing headquarters, studio and event space.
COSM is a fantastical gallery divided in two rooms. On the right is a display of several large scale vertical paintings depicting the evolution of the human being, from dense physical form to the ethereal spiritual realm. To the left is more like a gallery space showcasing the work of Alex through out the years including his best known images, like the one above, delving into the multi dimensions of reality.
In the summer of 2003 Greg and I attended the "Old Master, New Visions Painting Seminar" taught by Philip Rubinov Jacobson. We had come across a book of Robert Venosa at the Comic Con, and through a series of web searches encountered Philip and his course. Both Greg and I have been huge fans of Ernst Fuchs and the other artists that made up the Vienna School of Fantastic Realism. Traveling to Austria to learn the secrets of the mische (mixed) technique and the history of Visionary Art was profound. It connected me to my "Tribe" and also showed me the connection between visual and aromatic art making.
Images and links
"Theologue" by Alex Grey
"Triumph of Christ" by Ernst Fuchs
"Effort" by De Es Schwertberger

Wednesday, October 3, 2007
Dermisphere

We just received a little booklet in the mail from Art Center College of Design for a new show titled "In the Dermisphere" opening Friday, October 12, 2007 / 6-10pm. The exhibition focuses on the skin as an outer covering referred to as the dermisphere. The show will display works in a variety of mediums including drawing, photography, sculpture, paintings and old botanical prints. Artists explore the different aspects relating to humans perception and experience of our outer covering. The 5x7 inch mailer printed on a textured paper evoking the skin is a stunning piece of design onto itself. It immediately reminded me of the film "The Pillow Book" by Peter Greenaway. Let's here it for high concept!
"In the Dermisphere" at Art Center
The Pillow Book
Peter Greenaway
Labels:
art center,
dermisphere,
exhibition,
sensorium,
skin,
touch
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