Movie Monday: Climbing Redwood Giants

In 2007 I was gifted the book "The Wild Trees" by Richard Preston. I became immediately absorbed in the adventure of a group of botanists, naturalists and the visionary pioneer at the heart of the story, Steve Sillett.

National Geographic recently did a documentary that includes Steve Sillett. Here is excerpt from the YouTube page and a three minute clip:

"Clip of the Winner of the International Forest Film Festival They are living giants, one of Earth's largest and oldest trees. Some tower more than 350 feet high, taller than the Statue of Liberty; some may have been seedlings when Jesus was born. Yet, these natural legends still shroud centuries-old secrets. In a major National Geographic cross-platform event, which includes the October, 2009 cover story for the magazine, we reveal the little-explored environment of the redwoods using high-tech aerial laser surveys and breathtaking imagery."


The fragrance Sierra is an ode to these majestic dwellers of ancient times. I've been experimenting with a body butter that has a similar aromatic blueprint. Also, on the agenda is to make more of the liquid.

The article that appeared in National Geographic titled can be found here.

United Nations Forum on Forests website.

The book is available directly from Richard Preston, the author, at his website.

Felix Felicis

On Friday I had this feeling that someone had spiked my tea with some luck potion, like the one from Harry Potter termed Felix Felicis. Well, interestingly enough, I just heard from the ever so enchanted Goddess of perfume script that Sierra Solid Gold was featured on a blog that day.

Sierra Solid Gold contains a very special, intention filled botanical perfume accord, specific to prosperity. Cheers to Felix Felicis and the wonder of an enchanted life. Read more about Sierra Solid Gold here at this link.

Thank you Perfume Shrine and The Frisky. Please head on over and show these blogs some LOVE by leaving a comment.

Perfume Shrine" Praise for Sierra Solid Gold"
&
The Frisky

Roxana at Indie Perfumes

I've been blessed once again by the eloquent word smithing of a lover of aromatics. Lucy Raubertas, who I had the pleasure of meeting at the Sniffapalooza Fall Ball, has written a very succinct and beautiful review of our botanical perfumes. Please head on over to her blog to experience beauty filled prose. I am so humbled, thank you very, very much Lucy! It's such a pleasure when someone who really "gets" what these handcrafted botanical perfumes are about, especially when it is an individual with poetic skills like Ms Raubertas.

IndiePerfumes

Knock on Wood

On this Wednesday I am working on the Forest accord which is contained within the Sierra liquid perfume. Sierra liquid perfume is the most complex out of all the fragrances I have created. So complex in fact that the formula is contained within a binder devoted souly to her.

Sierra's early form was a bath salt and scrub I created back in 2000 titled Forest. Due to customer demand I modified the original blueprint to develop the liquid perfume. I began by utilizing the original Forest accord for the bath salts. This accord is what I am preparing more of today, for the perfume as well as the bath and salt scrubs.

For the updated version of the bath and salt scrubs I am also infusing some of my jojoba oil with benzoin and frankincense. Now is a particularly good time for infusing and tincturing due to the position of the Moon.

Read more about Sierra liquid perfume at these links:
+ Memory and Desire blog post: Entirely Green
+ Here at this journal: A Secret in the Forest

The term "knock on wood" may have been derived from the Celtic peoples belief that trees have the power to heal humans. The Celtic tree alphabet called the Ogham was a secret a ritualistic language. I have referred to the Ogham extensively here with entires corresponding to the Celtic Tree Calendar. Currently we are in the middle of the fifth month associated with Saille, the Willow.

"Willow and the Rowan Tree, Were tardy in array."
~ from the ancient Celtic poem The Battle of the Trees

The etymology of the word willow is rather complex but appears to stem from "withy" meaning to bend. Wicker furniture was originally created utilizing willow switches.

The Willow is part of the Salicacae family which includes two genera Salix and Populus. In botanical perfume, we have a Poplar essential oil that could be utilized if one were creating a magical perfume attributed to the Willow. Poplar is contained in our Sierra liquid perfume.

Willows are found near water and thus symbolically are connected with knowledge and spiritual growth. Other associations include: protection, healing, and cycles. Most often these cycles appear in relationship to mysterious associated with women, like the moon. The white willow tree is also referred to as The Tree of Enchantment and connected to the White Lady. If you have a willow tree nearby, give the tree an offering, select a shoot and tie a loose knot while intending your wish. Once the wish has been granted, express your gratitude to the tree and untie the knot. Tonight I'll be delving into water element and partaking in a bath with my Fresh bath salts as I invoke the White Lady.

The leaves and bark of this tree have been utilized by the Assyrians, Sumerians, and the Egyptians for aches and pains. In fact the origins of aspirin are preparations with white willow bark. The main chemical component in white willow bark is salicin which was isolated in 1828 to create the synthetic, patented version we all now refer to as aspirin. Willow is also utilized for the charcoal many artists use for drawing. Willow nectar is especially appreciated by the apis kingdom, the bees, for making honey.

The Scent for Today is Sierra liquid perfume or GreenWitch, devoted to the White Lady.

Solid Gold

The living room has been converted into a temporary photography studio as we continue to photograph all our botanical perfumes. That will change on Thursday, of course, when invitees will come to celebrate the day of gratitude.

In the shot above is the Sierra Solid Gold perfume within the antique finished compact along with its entourage: hand made crochet pouch, lined purple box and accordion folded booklet.

The day is overcast and providing some nice diffused lighting for each of the different scenes. According to the weather forecast we are due to get some rain. Rain, wow, how splendid that would be. One more thing to be grateful for.

Roxana Illuminated Perfume™

Prosperity Accord

Continuing on from yesterdays post on weaving magic into botanical perfume formulation I will share some of the methodology utilized in the magical accord within the Sierra solid perfume. To read the initial post on the Sierra solid perfume from November 8th click here.

I began by looking at the planetary associations and influences with prosperity. I choose:

SUN = PROSPERITY
EARTH = MANIFESTATION

Then I looked at numerical associations. In researching numbers I decided on 4 since it is associated with the Earth. I choose to infuse four materials in oil that I would leave in the SUN for four days and bury in the EARTH for four nights. Alternating between the SUN and EARTH to impregnate the energetic’s of both into the raw material with a blueprint of SUN and EARTH. I began the infusions on SUNday.

Next I looked at plant materials associated with the SUN and EARTH. I made a list of what I discovered:

SUN

• Amber
• Benzoin
• Broom
• Calendula
• Everlasting
• Frankincense
• Labdanum
• Saffron
• The Red Tincture: Ceonathus Root, also called Red Root

EARTH

• Mushrooms
• Patchouli
• Sage
• Spruce
• Vetiver

Somewhere I had read that Tonka Bean is associated with prosperity, so I included Tonka Bean on my list. At another source I read that Vervain is used to make dreams come true, so I added it. I also included Myrrh because of the association with the gifts of Frankincense and Myrrh to the Christ. I added Champa for its warm SUN-like quality. Oakmoss was on the list, however, I did not have it diluted in oil, so I did not use it. Black Musk smells extremely EARTHY to me so I added it as well.

My four tinctures, begun on SUNday, over a period of four days in the SUN and four nights in the EARTH, I used the following materials:

• Benzoin: SUN
• Tonka Bean: Jupiter is the planet of fortune
• Onycha: Elemental water for flow
• Red Root: This was my substitution for the “Red Tincture” listed for the SUN. I liked that it was from a native plant and a root, roots are associated with EARTH.

During the formulation I found the synergy got a little overly EARTH smelling, which I choose to correct so that there would be an equinox of Earth and Sun.

I add a drop of this accord when creating the Sierra Solid Perfume. My suggestion is to anoint yourself with the perfume while envisioning what prosperity means for you. Consider beginning with gratitude, I have been told that one of the paths to prosperity is gratitude.

Special thank you to Harry of Alchemy Works for his input on the formula and very useful website.

Roxana Illuminated Perfume™
E-Shop where you can find Sierra Solid Gold in a few sizes.




Opening image: Expand Your Vision ©Greg Spalenka

Weaving Magic

I became conscious of working with magic in the nineties when my daughter Eve was about three. The adventure began at a drum making workshop in an artist loft space at the Brewery. My friend could not attend the event, so I went in her place.

The Brewery is an old beer brewery that has been transformed into artist live work spaces in the heart of downtown Los Angeles. I arrived to the large open space unaware that it was a portal and would literally "altar" the course of my life.

The class was taught by a Native American individual who brought all the materials we would need that day to make our very own whoop drum. I created a 21 inch drum which I have been using regularly at drumming circles ever since. The drum has a deep resonant sound.

Shortly after creating the drum I began participating in drumming circles hosted by the individual who facilitated the drum making class. I learned that this individual was a Shaman and was putting together a group of "initiates" to learn the path of presence. Since I had been asking for a teacher to step forward I saw this as an opportunity.

Auspiciously at around the same time I was introduced to essential oils and aromatherapy. Thus, in tandem, I began learning the properties of essential oils while peeling away some of the veils to conscious living.

For the next three years I studied individually with my teacher and within the group. This is where I began the journey into working with magic.

The first perfume I created utilizing many of the techniques learned was with the formulation of "Q", the oak perfume. Intention and mindfulness are utilized whenever a perfume, accord, tincture or infusion is crafted here in the studio. However, weaving magic has many layers to it and a few of the perfumes contain more magical fibers than others.

The new Sierra solid perfume was created this past October with numerous magical techniques implemented. I began with the idea of prosperity employing essential oils with both ancient and modern affiliations to the concept of abundance on all levels. More on that in the morrow.

Roxana Illuminated Perfume™

Image at top: old engraving cleaned up and placed on parchment. Image below at left: Q elongated ©Greg Spalenka.

A Secret in the Forest

The main green notes in perfumes come from leaves and stems which give the impression of the scent of grass and crushed leaves. Heather Ettlinger of the blog “Memory and Desire” has just posted an entry about green perfumes which include our “Q” and Sierra. When I begin a perfume I don’t generally start with the idea of working within a particular fragrance family, perhaps that’s the rebel artist in me. Instead I start with an idea and create the perfume using notes which will best convey the idea. With the perfume Q, it began as a tribute to Beltane which auspiciously led to the Oak. In the case of Sierra, it was the great Redwood trees of the Pacific coast which began the long and winding road of its creation.

About a week ago I was in the midst of making a new batch of Sierra, for some reason this perfume in particular has been rather challenging for me. The perfume contains multiple chords within chords, worlds within worlds, thus when it is reformulated all those chords need to be ready and matured in order to begin. I had just finished the new batch and had three family members take a sniff and give me their impressions. The feedback wasn’t quite what I needed. Greg suggested I ask someone within the perfume arena to give me feedback. The next morning, to my delight, I received a message from Heather Ettlinger with her impression of Sierra. I was delighted at how swiftly spirit had intervened to provide input and am so grateful for Heather. Here are bits and pieces from the e-mail she sent me, which she graciously has permitted me to post.


For the last four days, I have been delving steadily deeper into the forest of the green-colored sample of Sierra. The first time I applied it, I was stunned by its lush dark greenness - almost the blackgreen of the evergreens in Austria, and a real sense that I was deep inside that forest in the midst of a snowfall, with the black branches blocking out light and snow and creating an otherworldy pocket of warmth. The top notes are quite camphoraceous in the first few minutes, and I was a little concerned that this would go bitter, as some camphoraceous notes can turn bitter on me.

How astonishing, then, to find that just fifteen or twenty minutes into that lush forest, I found myself enjoying what seems like it must be orange, spice, and perhaps the ambery resin of labdanum?

It's as though in the middle of an immense and forbidding black forest (Percival probably entered the Great Woods in search of the Grail at just such a point of darkness) I was standing at the doorstep of a cottage, the candlelight and shine of warmth and laughter radiating from within it. I imagine here that it is advent, and this couple is celebrating the winter festivals in their hidden forest home, but they have spared no expense for their guests who have wandered here, enchanted, just as I have. The lady of the house has taken us all in, the fugitive princess hiding in a tiny cave, the weary beggar, the dancing girl, and two tiny little men with bright violet eyes, who speak no language we know, but understand all we say. We sit late into the night; the table is decorated with living branches, sap pouring through the greenery onto the table and crystalizing into amber gems before us. An intoxicating tea is served with exotic fruits, studded with spices. It is a long, marvelous evening, much longer than we thought possible.

This scent lasts much longer than I would ever expect a botanical scent to last, and it has real backbone - real courage! I adore it, Roxana. Sierra remains lively and interesting through a good eight hours..

I am very happy to have had the opportunity to try this lush green walk in an enchanted woods, and if I am the princess hiding in the cave, I am brought out of it and into a home of safety through this deliciously inviting scent. In short, I love it.

Inspired,
Heather

The botanical perfumes “Q” and Sierra each give a portion to a related organization from the sale of the 1/4 oz flacon of perfume. "Q" is affiliated with the California Oak Foundation and Sierra is affiliated with TreePeople. Both these perfumes are part of our series celebrating the
aromatic landscape of the state of California. Learn more about the Californica series by clicking here.

Entirely Green on Memory and Desire
Roxana Illuminated Perfume™

Images: Above "Sierra" © Greg Spalenka, middle image is a secondary image used for Sierra from our website, the other image is a painting by Sir John Everett Millais titled The Proscribed Royalist 1651, Date: 1852-53 from ArtMagick.

The Garden, part 2

Last Friday was the first day of the Native Pant Sale at the Theodore Payne Foundation. We are re-doing our landscape to incorporate as many indigenous plants as possible. Early last Friday my mom and I trekked out to Sun Valley to purchase natives. I arrived back in the Santa Monica Mountains with a treasure trove of new friends to plant into our clay soil.
The first weekend sale is for members only. I purchased quite a few Ceanothus, which will cover the majority of the front slope, intermingled with Yarrow, Manzanita and Sage and Island Alum under the Oaks. We will need to return again for more plants. Planning the garden has been like formulating a painting or perfume. All the elements of design must be employed; texture, repetition, contrast, scale and a unifying theme.
The Ceanothus consists mostly of 'Yankee Point' with a few 'Heart's Desire' and 'Centennial'. Eventually we will also plant more Oaks as well. I plan to experiment with all of these for the tinctures in my Californica series of perfumes. Some are already in Vera and Chaparral. The new perfume to this series, Rosa and Sierra, also contain local native tinctures. Rosa and Sierra will be available soon. Thank You to all of you who have sampled them and are patiently waiting for the quarter ounce liquid perfume. Californica samplers will be available as well.
The Native Plant Sale at the Foundation opens to non-members this Friday. I suggest getting there early with a list and plenty of time. Plastic for the interior of your car, gardening gloves, full water bottle and a notepad are also a great addition for the trek. If you need help, seek out Louise, she is very knowledgeable and friendly. While you are there sign up to be a member. Membership helps support this important non-profit. Members get a discount on plants and classes, as well as receiving the Poppy newsletter filled with native plant garden tips.
Why go native?
1) Aesthetic Value: A native garden is stunning and fits the authentic beauty of California.
2) Once established native plants require very little water!
3) Genetics, these native plants only exist in California, the genetic material thrives here. Why create a garden with plants indigenous to the east coast of Europe when we have a plethora of 6000 species of plants. Natives are considered "Pre-European", they evolved without human impact. By continuing to plant natives we avoid genetic contamination and cross pollinating.
A paradigm shift is required when we first begin to look at natives. The color and texture palette is quite different. Similar to the adjustment when we shift from synthetic to botanical perfume. We make a choice that positively impacts our health and the wellbeing of the land.

A really beauty filled native garden to visit is the one at the Santa Barbara Botanic Garden located in the foothills, up Mission Canyon Road. Not to be missed is the Redwood Forest residing next to the
dam. SBBG offer several docent guided tours which I highly recommend.

When you become a member of the Theodore Payne Foundation you will be given a fantastic book, conveniently in both English and Spanish. Another fantastic book is California Native Plants for the Garden.
The Theodore Payne Foundation
The Santa Barbara Botanic Garden

This photo was taken in 2005 at the SBBG. The structure in the background was created by Patrick Dougherty.
Patrick Dougherty Installation