Showing posts with label Native Indian. Show all posts
Showing posts with label Native Indian. Show all posts

Friday, July 23, 2010

Hidalgo


Every once in awhile a bright star will write a review of one of my natural perfumes that brings me to my knees. Beth has done this with her latest post at Perfume Smellin' Things. She has weaved a story that includes Viggo Mortenson in Hidalgo and the wild west. The review includes a giveaway.

Chaparral Perfume; A Real Bodice Ripper

Hidalgo is the perfect hero for this fragrance that embodies both the American Native Indian and cowboy of the California. I re-watched this film the other day, so delicious, here is a clip.



Wednesday, May 26, 2010

A solid expression of Vera


The word Vera, meaning true, is the Latin binomial for lavender in the linguistic terminology of plants. This natural perfume expertly weaves several types of lavender with notes of white sage, fresh mown hay, orange blossom and a salty ocean breeze.


Vera liquid botanical perfume was first unveiled at the Ojai Lavender Festival in June 2007 when I was invited to be the keynote speaker. The introduction of the second perfume in the California series arrived on the same day that the formal website and blog were launched. It was a very exciting day as I finally stepped into the world of aromatics as a botanical perfume artist.

"There came a time when the risk to remain tight in the bud
was more painful than the risk it took to blossom."
~ Anais Nin

The solid expression of Vera debuts with the full moon this Thursday, May 27th, almost three years since the liquid graced us with her illustrious bouquet. Luxurious and creamy the unguent contains the same accords and has a very similar aromatic profile which remains very true to the liquid.


The evocative fragrance is an ode to the herbaceous bouquet of lavender and sage from the Ojai Valley in Southern California. Regionally distilled herbs harmonize with a floral heart and infused oils from local flora. For the base I have used beeswax from my own consciously cared for bees and from the grower/distiller of the essences and plant infused raw materials contained within Vera. The painting of the fragrance thus is very wholistic and true to Ojai.

"We don’t have a language for the senses.
Feelings are images, sensations are like musical sounds."

~ Anais Nin

Fragrance family: HERBAL, FOUGERE
Notes: California & French Lavender, Sage, Bay, Citrus, Wood, Resin, Bees Honeycomb, Hay, Oakmoss and hand infused Lavender from an organic farm in Ojai. There are over forty pure essences in this complex lavender perfume.

As I sat down to draw the preliminary sketches for Vera I began with a traditional cologne formula from there I choose to weave in aspects of the Indigenous people of California. Known as the Chumash tribe they inhabited the coastal region of California between Malibu and San Luis Obispo. The Chumash lived in harmony with the land sustaining themselves primarily from the sea and the oaks. As I read this I choose to expand the narrative to include notes from the sea such as seaweed, choya (distilled sea shells) and wood.


Vera solid natural perfume arrives in an American made, antique finish metal compact contained in a purple haute couture crocheted pouch. I pour each solid perfume into a separate tin that fits inside the antique finished metal compact. This ensures lasting performance of this pure, natural, botanical perfume. This insures that the vintage gets better with age.

The crochet pouch and the enhancements on our box have all been created by hand. Solid mini samples are also available individually or in sample packs.

Tuesday, April 20, 2010

Gather ye rosebuds


Gather ye rosebuds while ye may
Old time is still a-flying;
And the same flower that smiles today
Tomorrow will be dying.
~ Robert Herrick

Energized by yoga, renewed by a good nights sleep and warmed by hot tea with honey, I'm ready. Carpe diem my friends! It was Quintus Horatius Flaccus from Venusia, a Roman poet, who termed Carpe diem. The literal translation of this popular phrase is pick, pluck, pluck off, gather, referencing to make good use of your time here on this earthly plane.

As I prepared breakfast in the kitchen this morning Greg exclaimed "Look! Coyote!" Coyote has been very present lately, I've been seeing him almost daily, usually in the early morn or at twilight. Symbolically Coyote is the trickster, he creates chaos and makes life interesting. In Native American creation myth is Coyote is our parent and creator. He many lessons and very appropo for me this day as I am very frustrated with the world of perfume. I have this sense that Coyote has stepped in to illuminated my path and remind me who I am and to stay focused despite the chaos and tricks. Read more about Coyote medicine at this link and this one.

I have chosen a painting by one of the masters of the Pre-Raphaelite brotherhood to adorn this post today. The painting is named "Gather Ye Rose Buds" and that is what I will be doing this day for I am part of a show this weekend and need to make haste on stocking the apothecary shelves with delicious fragrant treats.

Opening painting, Gather Ye Rose Buds by John William Waterhouse, 1909

Saturday, March 13, 2010

Perfume Illuminated: Sage


The hills are alive with the aroma of the chaparral here where I dwell and make art. Ceanothus, the Oaks, some of the Sages and the Poppies are all in bloom. This post will illuminate some of the notes and attributes of the species Salvia, which grows abundantly in the Santa Monica Mountains.


In the California garden we have been fostering a variety of native salvias dot our landscape including:
  • White Sage, Salvia apiana
  • Black Sage, Salvia Mellifera
  • Cleveland Sage, Salvia clevelandii
  • Salvia leucophylla
  • Dwarf Black Sage, Salvia tera seca
  • Hummingbird Sage, Salvia spathacea

FRAGRANCE

The genus Salvia has a very large variety in the species, the most familiar is common sage, Salvia officinalis, often utilized in the kitchen. The word officinalis comes from the Linneas binominal system of naming plants, this particular grouping has medicinal attributes. The word Salvia comes from the latin Salveo meaning to heal or Salvere meaning to cure, both referring to the curative powers of the plant.

In aromatherapy and natural, botanical perfume we have quite a treasure trove of Salvias to work with, each with their own specific aroma and therapeutic blueprint. Salvia officinalis, originating in the Mediterranean, has a warm herbaceous scent with camphorous notes. It is the camphorous notes which make this distilled gem wonderful for the respiratory system. The essence also contains thujone in it's chemical make-up, which has been found to cause seizures in those susceptible as well as irritate the skin. Although I personally have had no reactions, please be mindful when using this essential oil. Other varieties of sage available for aromatic potions are Greek, Spanish and Dalmation sage some available as essential oils, some as Co2 extracts and some in both formats.


The other essential oil commonly used in aromatherapy is Clary sage, Salvia sclarea, distilled from the flowering tops and leaves. Historically this salvia was used to flavor wine and create a digestif. The aroma is much sweeter than its officinalis family member retaining an herbaceous character with a rich wine-like quality. For the botanical perfumer Clary sage is also available as a concrete and an absolute. All of these work well in the creation of a faux Ambergris accord/chord. In aromatherapy I have used Clary sage in blends for balancing hormones and emotions.


Since the leaves of sage are so aromatic and release their aroma and medicinal qualities with ease sage makes a fantastic tincture and infused oil. I use the native Sage apiana, pictured at left, for a tincture in the botanical perfume Vera, the infused oil will be highlighted in the upcoming solid version. This sage is an evergreen perennial sun loving shrub which is sacred to the native people of California and used in ceremony. Here is an excerpt from a book by Chumash woman I had the pleasure to meet at Topanga Days:

The healer, or an elder from the village, put a small branch of dried white sage in a suitable container such as a seashell, typically an abalone shell. The white sage was ignited with fire. The flames were blown out allowing the white sage to smolder and smoke. The smoke from white sage has a pleasant smell and is thought to help carry prayers to God. The healer prayed for the health of the patient while moving the seashell to allow the smoke to touch every part of the patient's body including the soles of the feet. The healer sometimes touched the patient's back with an eagle or hawk wing to draw out harmful spirits (nunasus). The wing was then flicked down to send the harmful spirits back into the underworld where they originated. Smudging with white sage is still practiced by Chumash people today.*

One of the classic culinary herb mixes is Herbes de Provence which includes sage. Here is a traditional blend for cooking which can easily be translated into an herbaceous cologne or perfume. For a perfume I suggest adding some wood in the base and citrus in the top notes. The recipe can be enhanced with tinctures of sage, lavender, bay etc. Consider taking this idea one step further and creating an aromatic that is based on the local native plants in your area. The Herbes de Provence formula comes from the native flora the grows in southern France.

Sage
Thyme
Chervil
Rosemary
Savory
Lavender
Tarragon
Marjoram
Oregano (has a strong aroma, use minimal amounts)
Mint (has a strong aroma, use minimal amounts)
Fennel
Bay leaves

FLAVOR: Beth Schreibman Gehring
Please continue reading about Sage at the Windesphere Witch blog

* Spirit, Mind and Body in Chumash Healing, James D. Adams, Jr and Cecelia Garci, Oxford Journals

Resources and reference:
California Gardens
Las Pilitas Nursery
Theodore Payne Foundation
A Modern Herbal by Mrs. Grieve
The Hortus Medicus
The Epicenter


Images
Photographs and old engravings cleaned and placed on parchment by Roxana Villa

Saturday, July 18, 2009

Indigenous: Part One


The sun, the moon and the stars would have disappeared long ago
... had they happened to be within the reach of predatory human hands.

~Havelock Ellis, The Dance of Life, 1923

The number nine in Hinduism is revered and considered divine because it denotes completion. Three times three equals nine. On the ninth day of our extra-ordinary adventure in Ecuador we we were awaiting Eduardo and Maria who were taking us to visit some ancient pyramids (Part One) and the renown marketplace at Otavalo (Part Two). Greg was looking forward to the pyramids while Eve and I were anxiously awaiting the treasures to be found at the Saturday market. Ivan, a fellow instructor at the University arrived first with his pretty sister.

Soon we were all assembled out front of the hotel and piled into the two small SUV's for our adventure. The North-east journey featured diversity as we left behind the city and entered in dry, arid mountainscapes. After a dusty and very bumpy ride we arrived at Cochasqui, a pre-Columbian and pre-Incan site of fifteen pyramids and twenty one burial tombs. Our guide was an elderly gentleman who was part of the original archaeological excavation of the site in the 1960's and seemed to have a deep connection to this sacred place. The pyramids are now covered by earth mounds with only a few segments visible to the eye.



Controversy exists as to whether Cochasqui was a strategic military site, an astronomical center of observation, a ceremonial-ritual center or a home compound center for native elites. Most likely it may have been a bit of all of these. The ruins date back to 950AD with the Quitus Cara tribe. According to our guide the civilization was matriarchal. Indigenous people tell the story of a white woman by the name of Quilago, the White Warrior Woman, who led the Cara (Caranqui) Indians against attacks by Incan warriors.


The site is located at the equator, a powerful point of energy, where every summer solstice shamans gather for Cochasqui Wilka Kuti. A ceremony more ancient than the pyramids themselves.


Llamas joined us as we walked with our guide to the first pyramid he selected to begin the formal discourse of our tour. The view of valley and far off volcanoes is breathtaking, although a bit disheartening to hear that at one time this dry arid land was a thriving rain forest. What's up with humans turning the rain forest into deserts, will we never learn? To make matters worse, non-native Eucalyptus trees have been planted. Although pretty in the landscape the Eucalyptus trees add to the drying of the land and make the soil un-hospitable to other plants, especially natives.


As mentioned above there are fifteen pyramids and twenty one burial tombs. One of the burial tombs contains over 500 skulls where another contains a full skeleton. One report claims that the skeleton was of a 6ft tall human.

Covered excavations sites show that the pyramids were stepped. The archaeological dig begun in the 60's barely scratched the surface of the history buried here in Cochasqui. Although the Ecuadorian government is not funding more excavation, perhaps a group of students from the UCLA archeology department will come and take on the task.


At the top of one pyramid are two observation sites that were utilized to track the stars using a huge sun dial. The sun dial originally was one solid piece, roughly 25 feet in diameter and one foot thick. The archaeologists have determined that this type of clay has to be cooked at 2300 degrees to set in one large piece as the one here at the site. Above you can see a photo of the excavated sun dial, a rectangular well for water was utilized as a reflecting pool. Just beyond the sun dial is a lunar dial. These dials were constructed in perfect alignment, like Stonehenge, for tracking the Summer Solstice and Winter Equinox. The area is covered to protect the water sensitive clay from erosion due to heavy rainfall.


As we meandered toward the trail that would take us to the Museum, our guide decided that Greg needed a cleansing to clear some negative energy. Thus three different herbs were selected and Greg was swatted with these in sequence. In the end he was given a cluster of a yellow flowered herbs to place under his bed in the shape of a pyramid.

The energetics of the place is truly magnificent, an underlying peace and clarity was quite palatable to both Greg and I.

"There is a mystical aura to this place located high in a barren Andean plateau and directly under the equatorial path of the sun. This mysticism comes from the ancient history of a peoples whose past is represented in the form of the pyramids whose shapes eerily penetrate the collective conscious of the observer. In addition, the vast and unrelenting passage of time, is represented here by the surrounding and watchful Andes and the vegetation coverage of the pyramids. The pyramids hint at our own individual and cultural transience and the immortality of natural history, of which human history is just a part." ~ Quote from Pyramids of Ecuador

All the photos were taken by myslef and my daughter Eve ©RoxanaVilla.

Thursday, June 4, 2009

Medicine Wheel


Greg and I have been diligently working on preparing for tonight's meeting in Van Nuys to protect these glorious native oaks and the land. We've gathered the neighbors, we have all the facts in order, we've got the photos, abundant amounts of passion and heart...what else???

Last night as I soaked in the bath with the scent of the conifers, juniper and grapefruit I asked, "What else can I do for the Oaks? How can I harness some powerful energies to be at this evening hearing?" Well, this blog post came to mind.

With an intention of gathering strong magic for this evenings meeting I call upon YOU and....

THE EAST

We call upon the Spirit-Keepers of the East, elemental AIR, home of our mental abilities and consciousness, ruled by the STARS and the color white…The throat chakra, the place of self expression, creativity and breath. Home of the Newborn, Dawn, New Beginnings, vision and inspiration of newness and fresh starts. The spirit medicine of Eagle dwells here with the ability to see far and wide. I call upon the guardians of the East. Welcome Spirit-Keepers of the East.

(Scent: Chaparral and Sierra Botanical Liquid Perfume)

THE SOUTH

We call in the Spirit-Keepers of the South, elemental FIRE, home of our beating
heart, ruled by the SUN and the color yellow…The heart and the constant rhythm within, the place of our passion, warmth, and direct knowing. Home of the Child, youthful abundant energy, and motivation. The spirit medicine of Lion dwells here with courage. I call upon the guardians of the South. Welcome Spirit-Keepers of the South.

(Scent: Cimbalom Botanical Solid Perfume, Aurora Solid & Liquid Botanical Perfume)

THE WEST

We call upon the Spirit-Keepers of the West, elemental WATER, home of our intuition and the dream time, ruled by the MOON and the color white…The belly, the place of emotion, desires and the ability to circulate. Home of the Feminine, the Mother and flow. The spirit medicine of Dolphin dwells here, in keen inner awareness, flowing in harmony. I call upon the guardians of the West. Welcome Spirit-Keepers of the West.

(Scent: Lyra Botanical Liquid Perfume)

THE NORTH

We call upon the Spirit-Keepers of the North, elemental EARTH, home of our connection to the here & now, ruled by the EARTH and the color black…The base chakra, the place of manifestation, control & restraint and grounded in experience. Home of the Male, strength and ability to create magic. The spirit medicine of Snake dwells here with the ability to move swiftly, above and below the ground, to shed what no longer serves and be born anew. I call upon the guardians of the North. Welcome Spirit-Keepers of the North.

(Scent: Terrestre and Sierra Botanical Solid Perfume)

THE CENTER

We call on the Center, the Womb of all Creation, the Void, the Black Hole. We call in our own Essence, feeling into our cores, feeling the part of the universe that is only and totally filled with us, connecting to the energies of our own uniqueness, our special medicine, our song, our gifts. Uniting with our own authentic essential nature and the ability to touch others with the unique beauty of this expression. When we are filled with our own personal energetic energies, we walk on, taking within us the four directions and the fulfillment of all that we are. Welcome Spirit-Keepers of the Center.

(Scent: Q Liquid Botanical Perfume)

My deepest gratitude to my facilitator Kaitryne and to Gary Stamper of the blog "Beyond Integral" who had already typed out the basic "Calling of the Four Directions" which I utilized in this post as well as borrowed some of his beauty filled ideas and words.

Friday, February 13, 2009

Chaparral at +Q Perfume



Simone at the +Q Perfume blog has written a two part segment titled "When Cowboys Meet Indians" featuring both Andy Tauer and myself. The first part was a tribute to the Cowboy and Andy's fragrance Lonestar Memories. Today she published the second portion which focuses on Indians and the liquid version of our fragrance Chaparral®.
Follow this link to read today's portion, or this link to read both part one and two.

Interesting how Chaparral® is getting so much attention all of a sudden, must be on the air.

It is an honor to be associated with my dear friend and colleague Andy Tauer. I am so grateful for Simone's piece, she really captured the spirit and essence of Chaparral®. While you are over at her blog check out some of the other items she has written about. The interview with the author of "What the Nose Knows" Avery Gilbert of is particularly fascinating. I had the pleasure to meet Avery here in LA at a presentation and this past autumn during the NYC Sniffapalooza Fall Ball. I highly recommend "What the Nose Knows", I received it for Christmas and have just begun reading it.

+Q Perfume Blog
Lonestar Memories by Andy Tauer
Andy Tauer website & blog
Chaparral® is available in a variety of sizes at my Etsy shop.
Avery Gilbert

Tuesday, January 20, 2009

Hope: Hopi


The agenda for today includes making solid perfumes and creating, as well as tweaking, a few accords. Good stuff to be working on with the exciting energetics of the day. I'll intend that all the happy, hope filled, inspiring blueprints of the day permeate these perfumes and accords.

I also need to dig a few holes in the garden and do some planting. It supposedly is going to rain in the morrow...we will see. Oh, AND I will be ordering more wax sticks to accompany the new color scheme for Aurora & Cimbalom.


Greg has been going through all is illustration work from when he is Mr. Mega Award winning illustrator in NYC. He threw some art away (gasp!) and will be selling the rest of it. What doesn't sell will probably be burned in a ritualistic ceremony or something. It's all a bit much for Eve and I, but, I understand the concept of clearing the decks to allow new visions in. If you are interested in getting one of these heirloom, historic pieces of art I suggest signing up fr his newsletter ASAP at his website or checking for updates at his Etsy outpost.


An excited girlfriend just sent me this Hopi Elders' Prophecy which was read at the close of the Public Waldorf Conference yesterday.

~~~~~~~~~~~~~~~~~~~~~~

Hopi Elders' Prophecy
Oraibi, Arizona, June 8, 2000

To my Fellow Swimmers:

You have been telling people that this is the Eleventh Hour; now you must go back and tell the people that this is The Hour.

And there are things to be considered. . . .

Where are you living?
What are you doing?
What are your relationships?
Are you in right relation?

Where is your water?

Know your garden.

It is time to speak your truth. Create your community.
Be good to each other.
And do not look outside yourself for your leader.

Then he clasped his hands together, smiled, and said, "This could be a good time!"

There is a river flowing now very fast. It is so great and swift that there are those who will be afraid. They will try to hold onto the shore. They will feel they are being torn apart and will suffer greatly.

Know the river has its destination. The elders say we must let go of the shore, push off into the middle of the river, keep our eyes open, and our heads above the water.

And I say, see who is in there with you and celebrate. At this time in history, we are to take nothing personally, least of all ourselves. For the moment that we do, our spiritual growth and journey come to a halt.

The time of the lone wolf is over. Gather yourselves! Banish the word 'struggle' from your attitude and your vocabulary. All that we do now must be done in a sacred manner and in celebration. We are the ones we've been waiting for.

~~~~~~~~~~~~~~~~~~~~~~

Images are ©Roxana Villa & Greg Spalenka.

Sunday, January 18, 2009

CHAPARRAL™


"Look deep, deep into nature,
and then you will understand everything."
~ Albert Einstein

Our liquid perfume titled Chaparral™ now has a solid version. This fragrance is an incense themed natural botanical perfume devoted to the California Native American Indians. The perfume balm adaptation has been created by utilizing pure, plant essences of resin, wood and sage.

Tom at the Perfume Smellin’ Things Blog wrote this regarding the liquid version of this perfume: ”...distillation of California with it's herbal woodiness and hint of wildfires...”

Cream perfumes have become increasingly popular, in most part due to the ease of transport. The solid version of this fragrance is utilitarian, sophisticated and provides mood a mood enhancing affect due to the aromatherapeutic contents of the ingredients.

These creamy unguents are in a base of jojoba, beeswax and infused plants materials. I create the solid perfumes all by hand first formulating the synergistic combination of essences. Once the essence combination has melded, with a bit of aging, I melt the beeswax, add the jojoba oil and then slowly stir in the synergy. While this mixture is still liquid I pour it into the little pan that sits within the metal compact. By having the perfume in a separate container it ensures lasting performance so that the vintage gets better and does not adversely react with the metal compact.

The hue associated with this fragrance is a pale green, similar to the color of the sages and artemisia's found in the local California mountains. The hand crochet pouch of the liquid features small silver feathers as a tribute to the Native People that once roamed these lands.

My very skillful mother creates these heirloom pouches for our perfumes. She and I collaborate on the design and seek out the cotton colored thread and charms together.

The illustration that accompanies this perfume was originally created for a cover of a young adult book. When I mentioned to Greg that I needed an image for Chaparral™ he significantly enhanced it for the fragrance by adding in local botanicals and the cowboy in the background. The female in the illustration is me.


Chaparral™ as a solid can be purchased here.

All images are ©RoxanaIlluminatedPerfume, the illustration at bottom is ©Greg Spalenka, see more of his work at www.spalenka.com.

Thursday, November 20, 2008

Weaving Magic

I became conscious of working with magic in the nineties when my daughter Eve was about three. The adventure began at a drum making workshop in an artist loft space at the Brewery. My friend could not attend the event, so I went in her place.

The Brewery is an old beer brewery that has been transformed into artist live work spaces in the heart of downtown Los Angeles. I arrived to the large open space unaware that it was a portal and would literally "altar" the course of my life.

The class was taught by a Native American individual who brought all the materials we would need that day to make our very own whoop drum. I created a 21 inch drum which I have been using regularly at drumming circles ever since. The drum has a deep resonant sound.

Shortly after creating the drum I began participating in drumming circles hosted by the individual who facilitated the drum making class. I learned that this individual was a Shaman and was putting together a group of "initiates" to learn the path of presence. Since I had been asking for a teacher to step forward I saw this as an opportunity.

Auspiciously at around the same time I was introduced to essential oils and aromatherapy. Thus, in tandem, I began learning the properties of essential oils while peeling away some of the veils to conscious living.

For the next three years I studied individually with my teacher and within the group. This is where I began the journey into working with magic.

The first perfume I created utilizing many of the techniques learned was with the formulation of "Q", the oak perfume. Intention and mindfulness are utilized whenever a perfume, accord, tincture or infusion is crafted here in the studio. However, weaving magic has many layers to it and a few of the perfumes contain more magical fibers than others.

The new Sierra solid perfume was created this past October with numerous magical techniques implemented. I began with the idea of prosperity employing essential oils with both ancient and modern affiliations to the concept of abundance on all levels. More on that in the morrow.

Roxana Illuminated Perfume™

Image at top: old engraving cleaned up and placed on parchment. Image below at left: Q elongated ©Greg Spalenka.

Thursday, September 18, 2008

Coyote: the trickster


As I walked back up the street to our little house Tuesday morning there was a Coyote just in front of me....at 8:30am! What is a lone coyote doing out at that time? Normally I see them at dusk or twilight.

In Native American tradition the coyote is referred to as the trickster. He embodies the archetype of the joker, creating much chaos and mischief. In the tarot this is the card of the Fool. Coyote is in many of the Native American creation myths. In one of my books here I found sixteen different stories featuring Coyote, usually as a very powerful and important being. In some cases he is even the creator of the two leggeds: man.

So, like the nemesis, we learn to embrace Coyote medicine and work with it. It is said that the Divine Trickster is here to teach how to work with others to accomplish great things, similar to the teachings of the Vine. Coyote also teaches us to look inside at the wisdom we hold and how to be in the world balancing work and play. Remember, manifestation comes easily when we are enjoying ourselves.

Follow your bliss and doors will open where there were no doors before. ~ Joseph Campbell

A botanical perfume working with the energetics of Coyote medicine would be interesting huh? I'm going to sit with it a bit and see what percolates up. Definitely some citrus for the playful aspect, elemi for shifting energetics and sandalwood for going within and accessing the Divine.
There should also be a since of the "wild" in the perfume...an animalic quality....mmm labdanum.

Roxana Illuminated Perfume™

Thursday, November 22, 2007

Gratitude

In the United States today we celebrate Thanksgiving, another holy day that started with a great premise but has turned rather surreal, in my opinion. The masses seem to view this day more about food and football than gratitude. Sigh. However, I have learned that instead of focusing on what I dislike in others, I focus on what I would like to create. Thus...

I intend that on this blessed day of Thanks giving we all tune into deep gratitude for all the bountiful beauty and love in our lives. The tradition of Thanksgiving began with the early settlers and the first native people in America. In the US we call them Indians or Native People, in Canada they are referred to as First Nations People, which makes more sense. After all, the word Indian isn't really appropriate since Columbus thought he was in India when he used that term. The word Native doesn't apply either, there are a lot of natives to the US that are not from the lineage of those that dwelled here when the Europeans arrived on their ships. Thus, what is the appropriate/politically correct word? Until I discover it I will use the term Native Indians. I have a tremendous respect for the Native Indians and would like to send out a blessing to them and that we may hear the wisdom that they have been sharing with us since the Europeans first arrived on this continent.

I am grateful for so much in my life and feel truly blessed.

Image above: "Blessings" ©Greg Spalenka, oil paint and mixed media on board. www.spalenka.com